[kj] tour bootlegs

[Phillipps Marc]

>It also helps if pissed up fat ugly women don't try and chat you up 

They're the only one's you can get though Rob ! :oP

Another good point is to always try and stand near the desk if you're
recording as that's where the optimum mix is. 

Marc (back from his hols)

> -----Original Message-----
> From:	Rob Moss [SMTP:joker@Z6.com]
> Sent:	Monday, June 23, 2003 4:09 PM
> To:	gathering@misera.net
> Subject:	Re: [kj] tour bootlegs
> 
> I've taken my mini-disk to couple of gigs recently and got reasonable
> results. I can record 160 minutes on one disk in stero and not affect the
> sound quality too much. The mike quality is important and it helps if you
> don't cheer or clap cos that overloads the mike.(ruins the gig for you
> though) It also helps if pissed up fat ugly women don't try and chat you
> up (as happened at the Damned recently. Truly awful! I edited out the "oh
> fuck off love" bit on the cd I made!).
> 
> But I doubt if i would take it to Killing Joke cos I would want to enjoy
> myself way too much!
> 
> Took it to QOTSA the other day. The handy thing about having a mate in a
> wheelchair is that he can sit on your mini-disk and smuggle it in!
> 
> 
> --- "pr 001" <stay_one_jump_ahead@hotmail.com> wrote:
> >what is the best way to make bootlegs of the forthcoming tour? mp3
> player? 
> >minidisk? good old-fashioned tape? how long can digital cameras record
> for?
> >
> >it occurs to me that this is the first tour they've done where the 
> >technology exists for a concerted attempt to bootleg the entire tour all
> as 
> >good quality recordings. audio mainly but perhaps video too. with a 
> >combination of an active email list and recent improvements in recording 
> >equipment we could really pull it off. so perhaps some discussion of how 
> >best to go about it is in order?
> >
> >for example, if we have at least two people from the list recording each
> gig 
> >we would avoid loss of tracks due to problems such as turning the tape
> over, 
> >batteries running out, etc.
> >
> >am i being way too serious about this? do we really need all the gigs 
> >bootlegging? geordie is planning a live (double?) album but still that
> could 
> >fall flat. and some people want every gig even though the setlists don't 
> >vary much!
> >
> >i dunno, some advice on the best way to record a gig would at least be 
> >appreciated.
> >
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