[kj] top five KJ blissed-out orgasmic moments

[Alexander Smith]

Good question, Paul, although I'd have made it top TEN. Still, rules 
are rules.

1. The slight moan of feedback (00:008) before Geordie's guitar arrives 
in "Wilful Days".
2. The precise moment (02:15)  just prior to Geordie's "solo" in "Kings 
& Queens" when all else falls away and Big Paul lets out a grunt
3. When Geordie completely goes off in a harmonic convergence in 
"Change" at precisely 02:51
4. 00:01-00:07 of "Eighties," when Geordie unveils that riff.
5. 00:14 into "Chop-Chop," when after a few misleadingly mellow strums, 
Geordie and Big Paul shove proceedings in the roiling morass.

Alex iN NYC




On Thursday, May 19, 2005, at 05:52 AM, Paul Rangecroft wrote:

> what are you lots top five KJ blissy moments? you know, those
> instances in a song when everything is right with the universe, when
> you wish you could feel like that forever. here's mine:
>
> 1. the feedback intro to the 'wilful days' peel session
> 2. that bit in 'europe' - the bridge after the middle eight, i believe
> it is correctly referred to as.
> 3. the "whoo!" towards the end of 'savage freedom'
> 4. the bit in 'love like blood' when the drums, bass and guitar
> suddenly stop and all you hear is the keyboard.
> 5. the first "money is not our god" in the track of that name.
>
> bubbling under:
>
> the start of 'the hum'
> when geordie comes in in 'inside the termite mound'
> when geordie's guitar starts to kick in during 'total invasion'
> the outro of the 'aotearoa' version of 'millennium'.
>
> ...and lots more but if i listed them all there wouldn't be any left
> for anyone else!
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