[kj] Jaz speaks to MTV Radio
Alexander Smith
vassifer at earthlink.net
Sun Apr 30 18:11:55 EDT 2006
Alright again, gang, I managed to transcribe the interview Jaz did
with MTV2's Headbanger's Ball Radio (oh, the humanity). I'm not sure
how much of this I'll be able to use in the piece, but I figured some
of you all might give a toss. Here are Jaz's quotes on a variety of
subjects. It's a bit rough. Bolded print indicates topics. Enjoy....
- Alex in NYC
ON KILLING JOKE 2003 vs. HOSANNAS:
"We did the 2003 one with Dave Grohl. It was just really me and
Geordie, to be honest, the 2003 album. Youth played on, I think, two
tracks and Geordie played the bass of the rest of it. So, it was just
the two of us with Dave Grohl, really. This album, for me, is really
special, `cos we all went collectively to Prague and hammered out
loads of demons and had a great time with the beautiful excesses that
a beautiful city like Prague provides. We recorded at will in an
inferior studio with a wine cellar below it, where we actually put
the drums down…. I think it was probably one of the more honest
Killing Joke albums, if you’re looking at collective input. Everyone
hammered out their demons. It was a huge pressure on everyone.
HAHHAAHAHAHAHAHAHAHA !"
On Beer vs. Wine in Prague:
"When beer is as cheap as fucking water in Prague, who the hell wants
to drink wine? Anyway, it sucks, their wine.
On the "25th Anniversary":
Well, actually this is our 28th year, and we did actually three
recordings before that 25th anniversary [recording], so someone’s
cheating me out of fucking two years of my life, and I think it was
the promoter. 25 years sounds like a marriage or something, doesn’t
it? HAHAHAHAHA. It’s harder than fucking marriage, hahahahaah and I
should know. I just got my last divorce last years, and now I’m back
with her. Do I get my money back?"
On Killing Joke:
"For me, Killing Joke will always be how I deal with my anger; how I
deal with waking up to this world where we’re just basically
destroying everything. These thoughts that I have -- how I deal with
my sleep deprivation, because I can't fucking ever seem to sleep
without sedatives. It's how I deal with these things. I guess, for
me, it has a social function. It's my exorcism, it's my catharsis and
it is a tradition, and not just for me. There's actually quite a lot
of people out there that really love the ceremony of it all also."
On Trends & the band & Geordie:
"We don't have anything to do with fucking fashion. We're a sound and
we're a lifestyle. HAHAHAHA. We're just a sound and a lifestyle
again. That's all it is, in the end. It's a way of life for a lot of
people including myself. I see myself kind've outside of the band a
lot of the time. I look at this sound from the outside, but then of
course, I'm in it. I've got sort've a strange relationship with it. I
need it and I love it and it drives me mad, but I keep doing it,
y'know? Geordie Walker and I -- we like making music together and we
have a very, very special relationship. As long as "our Kevin," as I
call him, wants to keep making music, we'll do it. I intend to
improve on every record I do in my life for the rest of my days,
really. I'm a very lucky man. There's not many people who have a band
after 28 years."
On bands they've influenced & recognition:
"I get a fucking cd every week with a Killing Joke cover song, and
they all go in the bin. HAHAHAHAA."
On "success":
If I'm really honest with you, and anyone who really knows me will
back this up, I only weigh press or count numbers of interviews for
fun. Where I live, you can't get it anyway. It doesn't really come
into my life. When I meet wonderful people like the Tool boys and
Dave Grohl, --- they're lovely people. People always talk about this
damn success thing, and I don't really get it, myself. It's a short
life and we all eat shit and die. I can't see the big rush to get a
fucking huge house. I wouldn't swap my life for anything.
HAHAHAHAHAHAHA. It wasn't so long ago that I did an experiment. I
walked through London with twenty-thousand pounds cash in my pocket,
and I took myself to lunch, then I went to Atlanteers bookshop and
bought myself a book and then I bought some cigars, and then you know
what? I didn't know what to do with my money. I'm that kind've
person, really. I want less as I get older, not more. So I feel
really quite wealthy. HAHAHAHAHAHAHA
RE: re-masters
I have plans to own the entire catalog. HAHAHAHAHA. When I finish one
record, all I'm doing is thinking about the next one. It's old news
for me. I try not to look backwards; Just forwards. There's only this
moment, and what we're going to do tomorrow. That's it, really
re; a New album?
Definitely. There's so much I want to do, and killing Joke's never
been better. Working with Geordie Walker -- he's a magic player. He's
one of those guitarists who sounds like fucking eight guitarists.
There'll never be anyone like him. It's my deepest pleasure to have
spent more years with him and more time with him than my own blood
brother.
Re: RAVEN
God bless his soul. Paul is always part of our family. Always, right?
To be perfectly frank, what we have here is geographical differences.
hahahaha. Two of like living in Europe very much and Paul has got
commitments to his children and his gorgeous, gorgeous lady [in the
States] and we're completely at peace with working him with "our Al,"
Al Jourgensen, who I've known over the years since he was a young lad
to our early gigs. I'm very happy for them. It's the extended family.
The only thing I really regret about it about it is not smoking some
cigars with my old mate, Raven, at the moment. But that'll come
later. HAHAHAAHAH
Will he be back?
Y'know what? You just learn as you get older. The Killing Joke family
-- we're just a family. We do what's easiest for all of us. It's
logistics and it's what's best for all involved. I've never had a bad
word with Paul, and certainly not in the last year. It's just
geography. I love going through the States. But the fact is that Paul
NEEDs to be in the States at the moment and he has to do what he's
got to do with Ministry. He's got commitments there, and we've got
our commitments also. They're just different at this moment in time.
But I love Paul like my own brother. I'd stop bullets for him and I
love him and I miss smoking cigars with the fucker. HAHAHAHAHA
re: the Euro perspective:
Yes, I'm afraid that's true. It started from the fact is that none of
us can sing a song of our forefathers, so we decided to make some,
and that's Killing Joke music. We certainly consider ourselves a
European outfit, with Celtic roots. I consider us a very European
band, I'm afraid. It's funny, we worked with Conny Plank and we did
this film called Friespiel... which means free speech -- and all
the contributors to European music -- there was a movement of NOT
drawing from American music. As much as I love a lot of American
music and blues and everything -- but we are Europeans. We are not
Americans, and blues is anathema to us. And I think there was a
whole movement. Everybody from Joy Division, Peter Hook's influence
and Eno -- I'm just speaking of the English contingent, and then
Germany -- when you think of Kraftwerk, when you think of Can, when
you think of Neu! when you think of Neubauten when you think of
D.A.F, and the of course.when you think of the contribution that
Rammestein have made to European music. I guess we've always been on
this side of the fence. Or the pond, I should say. HAHAHAHAA
re: summer festivals
Not really. Not at all. Instead of playing a five-thousand seater,
I'd rather do small gigs. I do it for fun, and I do it for quality of
sound. Killing Joke in a fucking 2000 capacity venue cranking is
something else. I don't really seek the bigger and bigger. We're just
like a little cornershop, but it's very expensive if you want to come
in and buy anything.
Touring the States?
Fuck yeah, we're gonna come through. I never know, from one day to
the next, which gig we're doing. Everything changes, and then of
course I've got my orchestral career. They ring me up and say "we've
got a gig here," and then I've gotta out the conductor's bat and look
at the fucking score and swap lives. There are so many things I want
to do. I didn't want to just do music. Literature is very deep in my
heart and I've done some spoken word stuff -- which I did with Paul
Raven, and I think that'll be coming out soon. I haven't tackled
literature properly. I like to do lectures. I really like composing.
I really like recording with orchestra, because unlike rock music, a
record happens in two days, and it just comes back to you finished
and beautiful and it just gives me fucking orgasm after orgasm.
HAHAHAHAHA
It's a wonderful thing. I like different mediums and I've gone from
changing a national anthem to Walt Disney. It's been a colorful
career and the best is yet to come.
I only think in future tense. I get a lot of people asking me about
the good ol' days, and these kind've nostalgic projections. And
frankly, the present tense is better.
Things you haven't tried yet?
I'd like to do one year working for the green party in New Zealand
and possibly the experience of a political career. Because I'm a
green, and even Bill Clinton's green these days -- Slick Willie, ya
gotta love him, haven't ya HAHAHAHAA. We've got to do something about
this fucking planet. My response is: get rid of fan clubs and start
eco-villages with sustainable resources.
There's a Killing Joke movie coming out. We've got one scene to shoot
on it, and it's done. It's taken like eight years of my life to put
this together. That's good fun. I'm working on a big Hollywood movie
soundtrack at the end of the year, then I'm moving to Sydney and
working on a great Australian orchestra. Life's colorful, what can I
say? Get the barbecue out. Let's go fishing! HAHAHAHAHAA!
People in America could learn from a Mediterranean lifestyle. You
wake up and go to work at half past eight. Work until about twelve
o'clock right. And then you go for a seafood lunch with nice bottle
of wine with your lover, and then the sun comes out and it's a bit
hot, so you shut the shudders and you FUCK all afternoon, and then
you open up the shop again for about another two hours and then do it
again all evening. What's wrong with that? And the food's good!
HAHAHAHAHAAH. You should try it some time. Hahaha.
Great Britain:
I might not have lived there for twenty-five years, but I can tell
you this: it's real special to me. I love the people, I love the
sense of humor, I love the marmalade, I love the BBC World Service,
and the rest of it can go to fucking hell.
New Music you Like?
New artists? It ain't the fucking Arctic Monkeys, I can tell you
that. HAHAHA. I can tell you what I don't like more than what I like,
and there's lot of shit I don't like. To be honest, I listen to the
voices in my head. A bit like Joan of Arc, really. I listen to the
music that's going on in my head. I'm just forever scheming up
something else. I don't like listening to too much music, to be
honest, because I find that it influences you almost on a
subconscious level. So, I cut myself off from really most music,
apart from the odd bit of classical music or whatever I perceive as
genius.
We got the [Kerrang's] lifetime achievement award last year, and I
was only 45 when i got it. That's probably the youngest lifetime
achievement award you're going to get. And we never expected gongs
and shit like that. Everyone knows who we are. Everyone knows from
Jimmy Page right the way through. You don't have to shout about it. I
just enjoy making the music in a very simple way.
re: Invocation
For me, it's the second time I've ever put strings with Killing Joke,
and it was a real special moment putting strings down with Killing
joke with this massive sound. I wanted to capture the madness that's
going on with the world and the Middle East and this terrible
conflict that's going on and just literally capture this atmosphere.
Everyone's really uncertain of what we're going to do next. Iran's a
problem. Israel's a problem. The whole fucking Middle East is a
problem. And then there's fucking China, which is an even bigger
problem. So, I wanted to thing to sound not just middle-eastern, but
Eastern generally. Here in Europe, Germany is going to be a depressed
nation, and so is the European Union, because it's as simple as this:
our manufacturing industry is going down the fucking toilet, because
they can do it cheaper in China and fucking India for one-fortieth of
the price. And there's no health insurance or no fucking pollution
problems -- you can just pay off corrupt officials. We can't compete
with that. So leisure time is really important, and to watch the
world go nuts, that's important because it reminds you to eat, drink
and be merry with the people you love, because sometimes that's the
only way out of this madness.
I wake up in the morning and I say to myself, "It's great to be Jaz
Coleman."
FINAL WORDS?
When we started the band, we asked ourselves: what do we want to get
out of this, this band thing? I think the first thing we all agreed
on was, "let's get the fuck out of England." The second thing was to
inspire people to go out and do for themselves; a creative project or
something beautiful for themselves. Killing Joke is just a mirror.
The word that
If there's I could say about Killing Joke is you can do it. You can
do anything you fucking want, mate. I left school at 15 with no
education. I've worked with the great symphony orchestras of the
world. Everything is fucking possible. You've got to lift your self-
confidence up. If there's one common denominator that I see that are
having problems in this world, it's a lack of will or self-
confidence. Just remember: Everyone’s scared. HAhahahahaha. Push
yourself through that fiery hoop. You'll get out the other side, and
it wasn't so bad, eh? You can call me Papa Jaz.
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