[kj] INEPSY Re: In Defense of Hosannas
Christof hamille
wessidetempest at hotmail.com
Mon Aug 27 09:43:23 EDT 2007
I have to be honest Oliver I never cared for them. I have their 12" and a
7" split and I jsut can't get into it. For me it is a heard it seen it done
it
>From: "B. Oliver Sheppard" <bigblackhair at sbcglobal.net>
>Reply-To: "A list about all things Killing Joke (the
>band!)"<gathering at misera.net>
>To: "A list about all things Killing Joke (the band!)"
><gathering at misera.net>
>Subject: [kj] INEPSY Re: In Defense of Hosannas
>Date: Sat, 25 Aug 2007 08:23:23 -0500
>
>This relates to Hosannas, but it also relates to someone asking what some
>good contemporary metal bands were/are:
>
>INEPSY:
>
>http://www.myspace.com/inepsy
>
>If you don't like it, you suck. Any of these songs could easily go on a mix
>tape with KJ's "Implosion" and Motorhead's "Ace of Spades."
>
>-Oliver
>
>
>B. Oliver Sheppard wrote:
>>Actually, I love Hosannas but feel like I come from more a punk
>>background, not a metal background -- hardcore punk, instead of just
>>neon-glow colored UK Subs-y '77 melodic punk, though.
>>
>>(You can be punk without being hardcore punk, but you cannot be hardcore
>>without being punk -- anyone who says otherwise doesn't know history).
>>
>>Hosannas is a great slogging, sludgy album that coincidentally sounds like
>>a lot of underground hardcore punk being made these days (minus the
>>orchestral parts in some of Hosannas). KJ BOASTE it was being made on
>>'79-era analog equipment, in a dark cold dungeon in Eastern European. It
>>is not some ProTools, slick, affair.
>>
>>When I say Hosannas coincidentally reminds me of contemporary hardcore DIY
>>underground punk, even some crust, what I'm talking about is the
>>trajectory of punk that is along the lines of Amebix, Nausea, and more
>>recently Born Dead Icons and their side-project The Complications (who are
>>named after a Killing Joke song and whom I interviewed:
>>http://www.cultpunk.com/?m=20061117 ), Tragedy, World Burns to Death,
>>Zygote, and some Japanese dark hardcore.
>>
>>I know that Jaz, Geordie, et. al., are probably totally unaware of these
>>bands and don't listen to them at all. But that they made an LP that in
>>many respects ends up sounding like some of these bands anyway -- that's
>>what really brought my full attention back onto KJ, who of course like
>>anyone into punk I'd heard of off and on over the months and years. A
>>tendency in a lot of underground hardcore now is to incorporate a heavy
>>Motorhead influence. Born Dead Icons do this; Inepsy do this; The
>>Complications do it; Black Panda does it. (Look these bands' MySpace
>>profiles up - esp. Inepsy).
>>
>>
>>Track 1 - "The Tribal Antidote" is a great, churning slogfest of a song.
>>It reminds me of Amebix, but also has shades of "Absent Friends" off
>>Democracy -- very similar riff.
>>
>>Track 2 - "Hosannas" -- a d-beat song! Sounds like it'll be a
>>by-the-numbers thrash vehicle, but Jaz adds in melodic vocals that remind
>>of the dark British post-punk band The Mob. It's nice to hear KJ belt out
>>something folks can really circle pit to. Also, it bears a resemblance to
>>the very early Venom song "Sons of satan," which had an impact on late 80s
>>crossover punk-metal thrash.
>>
>>"Implosion" -- total Motorhead worship all the way on this song! What's
>>not to love? Seriously? If you like Motorhead-style NWOBHM stuff, why
>>isn't this good?
>>
>>I have no problem with Jaz exploring the more Lemmy-esque side of hs
>>vocals. He cand o it great. I wish I had his vocals. He can go fromt hat
>>to sounding like the same New Romantic British guy crooning out "New Day."
>>How manyf olks have that vocal capability?
>>
>>
>>And that this is all coming from a band that played with Joy Division in
>>the dog days -- it's just kind of incredible.
>>
>>There is another band I've recently gotten into -- Bone Awl -- who come
>>from the black metal scene. Coincidentally, they sound like a lot of
>>Japanese and Scandinavian hardcore, though they probably have no idea they
>>sound like this, so coincidentally they've begun to attract a punk
>>following, which they must be scratching their heads about. That's how I
>>feel about Hosannas. It sounds like a lot of the very good underground
>>hardcore being put out by some cool bands now (seriously, look up Inepsy,
>>for example), but KJ are probably oblivious to this fact (I can't imagine
>>Jaz sitting down with Tragedy's _Nerve Damage_ LP, or World Burns to
>>Death's _Totalitarian Sodomy_ though I think he would actually like them),
>>which sort of makes it even cooler.
>>
>>
>>-Oliver
>>
>>
>>Brendan wrote:
>>No, come on! Invocation is epic, Gratitude is epic and a half, upsized
>>with extra cheese and sparkles, Death and Ressurection show is cool...um,
>>and some of the lyrics in the other songs are pretty cool...
>>
>>I think the main difference is that it appeals more to people with Metal
>>sensibilities vs you filthy punks...? =)
>>
>>PS: Alex did you get around to descecrating Appetite for Destruction,
>>after your Patti Smith rant I'd love to read it, even though I am a big
>>fan of Appetite. I can take it...I think. =)
>>
>> With the utmost respect to Oliver and the contingency he represents,
>>let me just say this:
>>
>>HOSANNAS is far and away the WORST THING Killing Joke have ever done.
>>YES --> worse than OTG.
>>
>>Heh.
>>
>>Alex in NYC
>>
>>
>
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