[kj] OT: The Cure
folk devil
folkdevil_23 at hotmail.com
Thu Aug 30 13:24:59 EDT 2007
I remember seeing the Cure back up Gen X. To be honest it was wrong place
and time...I still hightly rate the Pornography album..
>From: "Christof hamille" <wessidetempest at hotmail.com>
>Reply-To: "A list about all things Killing Joke (the
>band!)"<gathering at misera.net>
>To: gathering at misera.net
>Subject: Re: [kj] OT: The Cure
>Date: Thu, 30 Aug 2007 12:22:15 -0500
>
>I've seen them a bunch of times since the late 80s and they always put on a
>good show. Of course not high energy...but... And I would recommend not
>going two or three tours in a row. Same thing
>
>
>>From: "Brendan" <bq at soundgardener.co.nz>
>>Reply-To: "A list about all things Killing Joke (the
>>band!)"<gathering at misera.net>
>>To: "A list about all things Killing Joke (the band!)"
>><gathering at misera.net>
>>Subject: Re: [kj] OT: The Cure
>>Date: Thu, 30 Aug 2007 20:26:08 +1200 (NZST)
>>
>>I can recommend them highly, three hour concert, longest I've ever been to
>>from a single band, a real testament to them giving a shite about
>>themselves and their fans, and ALL of it was good.
>>
>> > Cheers for that, I've been out of touch with what he's been up to for a
>> > while. The Cure always take me back to being a messed up goth.
>> > (Although I think I'm more messed up now than when I was a goth!)
>> >
>> >
>> >
>> >
>> >
>> > ________________________________
>> >
>> > From: gathering-bounces at misera.net
>>[mailto:gathering-bounces at misera.net]
>> > On Behalf Of phatseanio
>> > Sent: 30 August 2007 00:20
>> > To: A list about all things Killing Joke (the band!)
>> > Subject: Re: [kj] OT: The Cure
>> >
>> >
>> >
>> > howdi......
>> >
>> > ....might be a chance Robert Smith sings with Paul Hartnoll (of ORBITAL
>> > fame),at the roundhouse,london on tues 4th sept,and manchester
>> > bridgewater hall wed 5th sept,seeing as he's guested on one of the
>> > tracks on his solo album THE IDEAL CONDITION....
>> >
>> > he's performing the album in full,tis quite a nice mix of synths &
>> > orchestral sounds......
>> >
>> > y'never know!!!!!
>> >
>> > he's also had a single out with the mighty shend from THE CRAVATS on
>> > vocals this year......that took me back to being a messed up goth,I can
>> > tell you...........................!!!!!!!!
>> >
>> >
>> >
>> >
>> >
>> > sean
>> >
>> >
>> >
>> >
>> >
>> > On 8/28/07, Janean Lancaster <Janean.Lancaster at hopwood.ac.uk > wrote:
>> >
>> > Bit late replying to this one - been away.
>> >
>> > Anyway...
>> >
>> > <<<I went and saw The Cure last night, which is
>> > an extrememly rare treat in NZ, the last time they visited was 15 years
>> > ago.>>>
>> >
>> > I'm so jealous! One of my favourite bands and still love them.
>> >
>> > <<< Fucking brilliant concert, sigh...I grew up on those guys. You lot
>> > in the
>> > UK, Europe and the 'States are fucking lucky to have bands like that
>> > playing every bloody Tuesday or whatever.>>>
>> >
>> > The Cure haven't played the UK since 2004, which was a paltry 90 minute
>> > set at a festival (paltry seeing as they are known for their 3 hour
>> > performances - I still loved it though), which is why I'm so jealous!
>> >
>> > They just don't seem to want to play at home anymore - probably because
>> > they can't pull large numbers into the arenas anymore. Such a shame.
>> >
>> > No doubt when I'm over in NZ visiting my dad, The Cure will play the UK
>> > and I will be mortified...
>> >
>> > Cheers,
>> > Janean
>> >
>> > -----Original Message-----
>> > From: gathering-bounces at misera.net [mailto:
>>gathering-bounces at misera.net
>> > <mailto:gathering-bounces at misera.net> ]
>> > On Behalf Of Brendan
>> > Sent: 14 August 2007 23:48
>> > To: A list about all things Killing Joke (the band!)
>> > Subject: Re: [kj] My Facebook
>> >
>> > Speaking about goths, haha, I went and saw The Cure last night, which
>>is
>> >
>> > an extrememly rare treat in NZ, the last time they visited was 15 years
>> > ago.
>> >
>> > Fucking brilliant concert, sigh...I grew up on those guys. You lot in
>> > the
>> > UK, Europe and the 'States are fucking lucky to have bands like that
>> > playing every bloody Tuesday or whatever.
>> >
>> > Except when Armageddon comes me, Bongo and Jaz are all gonna be fine
>>and
>> > you're all fucked, so get down here now, and bring Tool, Killing Joke,
>> > and
>> > all the other decent bands with you! And don't buy real estate below
>>50M
>> >
>> > above sea level...
>> >
>> > ;p
>> >
>> >> Here are the 5 paragraphs that deal with Killing Joke in --
>> >>
>> >> Simon Reynolds' 402 page _Rip It Up and Start Again: Postpunk 1979 -
>> >> 1984_ (Penguin Books, 2005).
>> >>
>> >> The five paragraphs are in the section on goth near the end of the
>> > book:
>> >>
>> >>
>> >>
>> >> "If Bauhaus, the Banshees, and the Birthday Party were the crucial
>> >> groups that bridged postpunk and Goth, Killing Joke was the fourth
>> >> cornerstone of the Goth sound and sensibility. Like the other three
>> >> bands, they started out as postpunk experimentalists. In Killing
>> > Joke's
>> >> case, that meant following PiL's lead. In 1980, singer/keyboardist Jaz
>> >
>> >> Coleman talked of wanting to keep the funk but strip away disco's
>> >> 'sugarshit' sheen, replacing it 'with mangled, distorted, searing
>> >> noise.' This element came from guitarist Geordie, who transformed
>> > Kieth
>> >> Levene's sound into something sulphuric, inhumane, practically
>> > inhuman.
>> >> Coleman added jabs of atonal synth and electronic hums, along with the
>> >> barked menace of his vocals, which sounded like he was choking on his
>> >> own fury. 'Tension music,' the group called it.
>> >>
>> >> "Initially, Killing Joke seemed vaguely political. Their striking
>> >> seven-inch sleeves and micro-ads in the U.K. music press grabbed the
>> > eye
>> >> with images of the pope receiving a Nazi salute from German troops or
>> > a
>> >> top-hatted Fred Astaire tap dancing over a trench full of World War I
>> >> corpses. The name Killing Joke, explained Coleman, condensed their
>> > whole
>> >> worldview into a single phrase, 'the feeling of a guy in the First
>> > World
>> >> War who's just about to run out the trenches ... and he knows his life
>> >> is going to be gone in ten minutes and he thinks of that fucker back
>> > in
>> >> Westminster who put him in tha position. That's the feeling that we're
>> >> trying to project -- the Killing Joke.'
>> >>
>> >> "Jaz Coleman was an unlikely protest singer, though. A high-caste
>> >> Brahman Indian on his mother's side, Coleman was wealthy, well
>> > educated,
>> >> and musically trained (after Killing Joke he became a classical
>> >> composer). In almost pointed contrast to Coleman's accomplishment,
>> >> Killing Joke was conceived as a barbarian entity. Paul Ferguson's
>> > beats
>> >> were tribal and turbulent. Starting with their second album, _What's
>> >> THIS For...!_ and reaching fruition on 1982's awesome _Revelations_,
>> >> Killing Joke shook off the PiL influence (all the dub and death disco
>> >> trappings) and emerged as something closer to Black Sabbath: doomy,
>> >> tribalistic rock that exulted in its visions of darkness and the
>> >> apocalypse.
>> >>
>> >> "Coleman saw Killing Joke's music as 'warning sounds for an age of
>> >> self-destruction.' The end was nigh ('I'll give it eighteen months,'
>> > he
>> >> said in 1981), but Coleman was glad. The aftermath was 'the period of
>> >> time I'm looking towards at the moment,' he said, when a new, brutally
>> >> instinct-attuned _un_civilization would emerge phoenixlike from the
>> >> smoking ruins. Coleman told NME, 'I see a more savage world ahead,
>> >> right? It's music that inflames the heart.' Fire was Killing Jokes
>> >> favorite of the four elements. They even recruited a fire eater, Dave
>> >> the Wizard, to do his act on stage with the band. 'Fire to me is
>> >> symbolic of the will power,' declared Jaz. 'I think the power of the
>> >> individual is really underestimated.' Yet it seemed more the case that
>> >> Killing Joke's music exalted the power of the mob.
>> >>
>> >> "Goth's appeal to the irrational and primal could sometimes stray into
>> >> troubling territory, something Killing Joke exemplified. Coleman's
>> >> rhetoric -- reveling in male energy, describing war as the natural
>> > state
>> >> of the world, jubilantly heralding Armageddon -- veered unnervingly
>> >> close to that dodgy zone between Nietzschean and Nazi. 'The violence
>> >> that is Killing Joke is about is not violence on the immediate level
>> > but
>> >> the _mass_ violence, the violence bubbling up underneath your feet,
>> > the
>> >> violence of nature throwing up,' Coleman solemnly proclaimed. 'And we
>> >> _become_ that violence.' Even some Goths felt there was a faintly
>> >> fascistic aura to the vibe catalyzed by Killing Joke at their gigs."
>> >>
>> >>
>> >> [from July 7, 2007 post to list]
>> >>
>> >>
>> >>
>> >>
>> >>
>> >>
>> >> B. Oliver Sheppard wrote:
>> >>> Actually, 5 paragraphs devoted to Killing Joke in Simon Reynolds bok,
>> >>> near the back, in the section on goth. And they're not very
>> > flattering
>> >>> paragraphs, really.
>> >>>
>> >>> (I posted all 5 paragraphs fromt he book to the list maybe a month
>> >>> ago. Reynolds said the Killing Joke -- and he spoke of them in the
>> >>> past tense, too -- were somewhere between Nietzschean and Nazi. No
>> >>> kidding.)
>> >>>
>> >>> -Oliver
>> >>>
>> >>>
>> >>>
>> >>>
>> >>>>>
>> >>>>> PS: I had another interview a day earlier with the culture editor
>> > of
>> >>>>> a reputable media outlet, and we similarly ended up talking about
>> >>>>> music. Turns out her husband is none other than Simon Reynolds, the
>> >>>>> celebrated music critic who wrote the arguably authoritative
>> >>>>> post-punk tome, "Rip It Up And Start Again" (75 pages devoted to
>> >>>>> Scritti Politti, 9 pages devoted to Killing Joke).
>> >>>>>
>> >>>>>
>> >>>>
>> >>>
>> >>
>> >> _______________________________________________
>> >> Gathering mailing list
>> >> Gathering at misera.net
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>> >>
>> >
>> >
>> > _______________________________________________
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>> >
>> >
>> >
>> > --
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>> >
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>>
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