[kj] (OT) NIN
The Exorcist
killingjoke at theimmortalfool.com
Sat Feb 21 17:56:32 EST 2009
I enjoyed the cover of "Dead Souls" on The Crow
soundtrack. I think it fit in quite will within
the film and it's surrounding songs.
Covers are not always meant to be duplications.
It's an artists or individuals interpretation of a song.
At 09:41 PM 2/19/2009, J Casavola wrote:
>He also ripped apart Joy Division's Dead Souls
>
>
>----------
>From: bettedillinger at live.com
>To: gathering at misera.net
>Date: Thu, 19 Feb 2009 21:18:51 -0500
>Subject: Re: [kj] (OT) NIN
>
>I don't even want to post it. But if you want
>to hate him even more after that interview, look
>up his rendition of "Bela Lugosi's Dead" on SueTube.
>
> > Date: Fri, 20 Feb 2009 14:54:41 +1300
> > From: bq at soundgardener.co.nz
> > To: gathering at misera.net
> > Subject: Re: [kj] (OT) NIN
> >
> > Trentnor reckons he invented alternative music, Lollapaloser, and paved
> > the way for Nirvana:
> >
> > http://www.nin.com/
> >
> > >
> > > I read in one review that Trent Reznor is an heir to a large fortune. I
> > > am not saying money is happiness, but it does make a nice down payment.
> > > Do any of the musos floating around here know what he is heir to? It is
> > > something electrical (I am *so* technical in my descriptions, I
> > > know)........
> > >
> > >> Date: Wed, 18 Feb 2009 12:37:48 +1300
> > >> From: bq at soundgardener.co.nz
> > >> To: gathering at misera.net
> > >> Subject: Re: [kj] (OT) Jane's Addiction at Echoplex in LA Last Night
> > >>
> > >> Gonna be 'interesting' to see how the NIN / Jane's Addiction shows pan
> > >> out.
> > >>
> > >> My impressions of last night's NIN gig:
> > >>
> > >> Meh. With the emphasis on the 'eh'.
> > >>
> > >> I TRIED to like NIN. I went to all the effort of stealing Trentnor's
> > >> life's work, listening to it on train and plane journeys, walking in to
> > >> work and feeling incongruously anti-social (and anachronistic) while
> > >> docile passersby passed by, oblivious to the fact that I was listening
> > >> to
> > >> something that sounded like a hardcore remake of the Metropolis
> > >> soundtrack
> > >> (1994 Crack Remix).
> > >>
> > >> ...familiarised myself with Pretty Hate Machine (I passed on the 2/3 of
> > >> his album collection where he remixes his own stuff
yawn), which I had
> > >> never picked up before because of the awful name.
> > >>
> > >> So I was relatively familiar with NIN, at least moreso than previously,
> > >> when my appreciation was limited to the Quake soundtrack (sounds like
> > >> Tool
> > >> lite) and "that song that Johnny Cash does better." And Perfect
> > >> Drug...which always had me scratching my head as to why it was on such
> > >> high rotate. (Surely these guys do better stuff than this?)
> > >>
> > >> The opening band's promo photo looked so shit I didn't even bother
> > >> listening to anything online to see what they were like. (This
> > >> admittedly
> > >> renders the rest of my review useless due to extreme prejudice but
> > >> hey...just being honest. Don't pretend you're not the same).
> > >>
> > >> NIN - sound quality was mildly mucky, not awful, and probably not their
> > >> fault. Smallish crowd for the venue (half to two thirds of the ~10 000
> > >> seat venue filled). Good light show, basic but good impact.
> > >> Overall...some
> > >> pretty solid material. A fair bit of it sounds samey to me, and I really
> > >> wouldnt rate them up there with their 90s contemporaries (Soundgarden,
> > >> Tool, Rage Against the Machine, Ministry) for impact, depth, breadth, or
> > >> range. Anyway, a *relatively* solid gig, but a few things gave away that
> > >> it was a phone-in, in a disappointing way. Practically no
> > >> acknowledgement
> > >> of the crowd, no encore, and this is probably going to be our last show
> > >> in New Zealand" quoth Trentnor half-way through, in one of the perhaps
> > >> two
> > >> times he deigned to address the audience. Seemed to fuck half the
> > >> audience
> > >> off, and rightly so. That was it, not "hey this might be the last time I
> > >> play here so let's rip shit up." More like..."this is probably the last
> > >> time I'm gonna fuck you up the ass, not sure if I can come, anyway, just
> > >> thought I'd share...FYI. Now breathe out and clench."
> > >>
> > >> Yeah no worries, thanks for the newsflash, it's certainly gonna be the
> > >> last time you get any money from me (I bought 2 tix), and a lot of
> > >> others
> > >> in the crowd like me who have seen better, more considerate bands try to
> > >> disguise a phone-in, or dredge up enough energy from the crowd to find
> > >> some reason to enjoy being there.
> > >>
> > >> No encore despite most of the crowd giving it heaps for 10 mins, futiley
> > >> as the stage was dismantled immediately the black-clad phoners in left.
> > >>
> > >> That was the more objective impression. This is what part of me really
> > >> thinks:
> > >>
> > >> Go home and polish your Grammys and play Hurt to yourself on your synth
> > >> you never-really-has-been. There's a reason I wasn't into NIN and I'm
> > >> glad
> > >> I had my suspicions confirmed. 80% of their songs sound the same. Sub
> > >> par
> > >> lyrics, predictable anthems for 14-year old sexually ambivalent teens to
> > >> half-heartedly self-harm to in the privacy of their bedrooms in between
> > >> Evanescence CDs.
> > >>
> > >> Note to self: Don't ever bend over backwards trying to like something
> > >> you
> > >> don't.
> > >>
> > >> > Jane's Addiction, reunited with original bass player Eric Avery has
> > >> been
> > >> > doing a few low key warm-up bar and club shows in LA the past few
> > >> months
> > >> > before they go out on tour with Nine Inch Nails in late Spring. I
> > >> caught
> > >> > last night's show at the Echoplex club which was their third
> > >> appearance
> > >> > together since all four members began working together again.
> > >> >
> > >> > It turned out to be an excellent if short show, mostly better than the
> > >> > tiny
> > >> > El Cid bar show #2 which I caught last December. Only things I think
> > >> El
> > >> > Cid
> > >> > was marginally better was being a tiny club, much more intense energy
> > >> from
> > >> > the crowd that show. I think Perry sounded better there as well.
> > >> >
> > >> > It had been raining really hard much of the day in Southern California
> > >> and
> > >> > I
> > >> > was really on the fence about going or not right up to about 6pm. I
> > >> went
> > >> > for it and got to the Echoplex (in Echo Park) around 8:15 and a huge
> > >> line
> > >> > of 200 - 300 people was winding along the building and it quickly
> > >> because
> > >> > obvious some people didn't have or even know about the RSVP thing.
> > >> Light
> > >> > rain had just stopped and it was cool but at least dry. The line
> > >> started
> > >> > moving as they left small groups of about 10 - 15 people in at a time
> > >> to
> > >> > get
> > >> > their ID checked for a wristband, then get their ID checked against a
> > >> list
> > >> > at the door from the website registration rsvps. Saw a couple people
> > >> > turned
> > >> > away in front of me but later saw them inside so its possible they had
> > >> > enough room for people who basically walked up to see the show after
> > >> the
> > >> > majority of RSVP'ers got in. Considering my own feelings this method
> > >> of
> > >> > getting people in the show could have turned into a real mess, it
> > >> seems
> > >> > like
> > >> > it turned out to be well run with few problems.
> > >> >
> > >> > My first time at Echoplex. Kind of a weird room, the mixing desk kinda
> > >> > bisects the club in half so if your in the back, you gotta stand on
> > >> some
> > >> > boxes to get a decent view. Pretty laid back, almost too mellow of a
> > >> > crowd
> > >> > especially for the opening band "Dot," which was kind of a more
> > >> ambient,
> > >> > dissonant noise version of Secret Machines. Band shows some promise,
> > >> but
> > >> > the singer was hardly audible, partly because he rarely projected
> > >> himself
> > >> > but moreso because the vocals were mixed way too far down (same for
> > >> Perry
> > >> > during Jane's set). They got a decent response from the crowd, more
> > >> > respect
> > >> > than actual adoration. Frankly, I thought they were boring.
> > >> >
> > >> > There was a long wait, made somewhat manageable by the selections
> > >> whoever
> > >> > was DJ'ing played a good amount of Killing Joke ("Change"), Bauhaus,
> > >> > Cramps
> > >> > ("New Kind Of Kick" got a huge response), Bowie and a few other favs
> > >> on
> > >> > the
> > >> > PA.
> > >> >
> > >> > About 11:15, Jane's strolled on the stage and ground into Up The
> > >> Beach. I
> > >> > think it was played half a step down and a bit slower. Eric had more
> > >> room
> > >> > to
> > >> > prowl and stomp tonight so he'd either be doing his tribal stomp to
> > >> songs
> > >> > like Mountain Song or Ocean Size or locked into his zone often staring
> > >> up
> > >> > at
> > >> > the ceiling playing Pigs in Zen. Tonight, Dave was more on the mark
> > >> most
> > >> > of
> > >> > the show that the 2nd show, Perkins was simply 100% a precision human
> > >> > piledriver. The man is simply an incredible drummer. Perry
> > >> unfortunately
> > >> > I
> > >> > have to say was the weak link. Not a lot of power in his voice, didn't
> > >> > really make a lot of use of his little echo toolbox and took a lot
> > >> longer
> > >> > than the rest of the band to loosen up as the set progressed. I will
> > >> say
> > >> > when they got to Been Caught Stealing, he was up with the rest of the
> > >> band
> > >> > and loosened up enough to bullshit and introduce most of the remaining
> > >> > songs.
> > >> >
> > >> > I do think in a lot of ways this reunion, especially how Perry carries
> > >> > himself these days reminds me of the recent David Lee Roth/Van Halen
> > >> > reunion
> > >> > in the way both frontmen have dropped the more manic, physical aspect
> > >> of
> > >> > their stage persona due to age and are more like Vegas car dealers
> > >> doing
> > >> > their shtick for the rubes. At times, Perry was genuinely funny but
> > >> when
> > >> > he
> > >> > used forced, awkward analogies to introduce each of the last few
> > >> songs, it
> > >> > got hackneyed.
> > >> >
> > >> > Most of the songs from a performance standpoint sounded excellent.
> > >> > Mountain
> > >> > Song is played by Dave a bit differently now, a bit more RAWK! like
> > >> > someone
> > >> > like Billy Duffy would play the tune. The band was very tight with one
> > >> > major
> > >> > exception. The only song I thought kinda missed the mark was the one I
> > >> was
> > >> > most excited to hear, Ted, which lacked an "edge" it's had in the past
> > >> and
> > >> > never really got out of third gear and came close to falling apart the
> > >> > last
> > >> > couple minutes as the band kind of careened a bit out of time with
> > >> each
> > >> > other.
> > >> >
> > >> > But I'll tell you what, "Stop" was fucking perfect. Clearly the best
> > >> > performed song of the set and got great audience participation. "Had a
> > >> > Dad"
> > >> > and "Ocean Size" ended the 2 song encore and the short barely hour
> > >> long
> > >> > set
> > >> > was done.
> > >> >
> > >> >>From a crowd standpoint, the asshole factor was low but there were a
> > >> few
> > >> > lobcocks who'd careen around like big, sweaty, smelly dreidels. One
> > >> > grinning drunk slob who looked like Seth Rogan got hoisted up for some
> > >> > crowd
> > >> > surfing and got maybe 5 feet before being dumped on the ground like a
> > >> sack
> > >> > of shit. He later wound up getting on the stage on Erics side and then
> > >> > flopped off the stage like a beached whale.
> > >> >
> > >> > All n' all though, a great night even if it was too short and I
> > >> *really*
> > >> > wanted to hear "Three Days."
> > >> >
> > >> > Setlist:
> > >> >
> > >> > Up The Beach
> > >> > Trip Away (on the setlist but not played)
> > >> > Whores
> > >> > 1%
> > >> > Ain't No Right
> > >> > Mountain Song
> > >> > Been Caught Stealing
> > >> > Ted Just Admit It.
> > >> > Stop!
> > >> > (encore)
> > >> > Had a Dad
> > >> > Ocean Size
> > >> >
> > >> > T.B.
> > >> >
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