[kj] (OT) NIN
Brendan Quinn
bq at soundgardener.co.nz
Tue Mar 3 16:25:11 EST 2009
LOL
Yeah I’m pretty sure that IS Will Ferrel in there…sans cowbell.
Just watching the Creed one now...and I had the best intentions of going to work this morning…
_____
From: gathering-bounces at misera.net [mailto:gathering-bounces at misera.net] On Behalf Of The Exorcist
Sent: Wednesday, 4 March 2009 04:36
To: A list about all things Killing Joke (the band!)
Subject: Re: [kj] (OT) NIN
Well then, you might just enjoy this....
http://www.youtube.com/watch?v=ILhJs8BLcTQ
RHCP - Under The Bridge (Literal video version)
At 09:32 PM 2/19/2009, Brendan wrote:
Oh please don't get me going about RHCP, can't stand em. NIN I can still
listen to, but most of RHCP gives me the total shits.
> I think I would have to agree that the Lollapalooser tours and bands like
> Jane's, NIN (plus RHCP, RATM etc etc) did have a hefty influence on the US
> alternative scene...
>
> --- On Fri, 20/2/09, Brendan <bq at soundgardener.co.nz> wrote:
>
> From: Brendan <bq at soundgardener.co.nz>
> Subject: Re: [kj] (OT) NIN
> To: "A list about all things Killing Joke (the band!)"
> <gathering at misera.net>
> Date: Friday, 20 February, 2009, 1:54 AM
>
> Trentnor reckons he invented alternative music, Lollapaloser, and paved
> the way for Nirvana:
>
> http://www.nin.com/
>
>>
>> I read in one review that Trent Reznor is an heir to a large fortune. I
>> am not saying money is happiness, but it does make a nice down payment.
>> Do any of the musos floating around here know what he is heir to? It is
>> something electrical (I am *so* technical in my descriptions, I
>> know)........
>>
>>> Date: Wed, 18 Feb 2009 12:37:48 +1300
>>> From: bq at soundgardener.co.nz
>>> To: gathering at misera.net
>>> Subject: Re: [kj] (OT) Jane's Addiction at Echoplex in LA Last
> Night
>>>
>>> Gonna be 'interesting' to see how the NIN / Jane's
> Addiction shows pan
>>> out.
>>>
>>> My impressions of last night's NIN gig:
>>>
>>> Meh. With the emphasis on the 'eh'.
>>>
>>> I TRIED to like NIN. I went to all the effort of stealing
> Trentnor's
>>> life's work, listening to it on train and plane journeys, walking
> in to
>>> work and feeling incongruously anti-social (and anachronistic) while
>>> docile passersby passed by, oblivious to the fact that I was listening
>>> to
>>> something that sounded like a hardcore remake of the Metropolis
>>> soundtrack
>>> (1994 Crack Remix).
>>>
>>> ...familiarised myself with Pretty Hate Machine (I passed on the 2/3
> of
>>> his album collection where he remixes his own stuff…yawn), which I
> had
>>> never picked up before because of the awful name.
>>>
>>> So I was relatively familiar with NIN, at least moreso than
> previously,
>>> when my appreciation was limited to the Quake soundtrack (sounds like
>>> Tool
>>> lite) and "that song that Johnny Cash does better." And
> Perfect
>>> Drug...which always had me scratching my head as to why it was on such
>>> high rotate. (Surely these guys do better stuff than this?)
>>>
>>> The opening band's promo photo looked so shit I didn't even
> bother
>>> listening to anything online to see what they were like. (This
>>> admittedly
>>> renders the rest of my review useless due to extreme prejudice but
>>> hey...just being honest. Don't pretend you're not the same).
>>>
>>> NIN - sound quality was mildly mucky, not awful, and probably not
> their
>>> fault. Smallish crowd for the venue (half to two thirds of the ~10 000
>>> seat venue filled). Good light show, basic but good impact.
>>> Overall...some
>>> pretty solid material. A fair bit of it sounds samey to me, and I
> really
>>> wouldn’t rate them up there with their 90s contemporaries
> (Soundgarden,
>>> Tool, Rage Against the Machine, Ministry) for impact, depth, breadth,
> or
>>> range. Anyway, a *relatively* solid gig, but a few things gave away
> that
>>> it was a phone-in, in a disappointing way. Practically no
>>> acknowledgement
>>> of the crowd, no encore, and “this is probably going to be our last
> show
>>> in New Zealand" quoth Trentnor half-way through, in one of the
> perhaps
>>> two
>>> times he deigned to address the audience. Seemed to fuck half the
>>> audience
>>> off, and rightly so. That was it, not "hey this might be the last
> time I
>>> play here so let's rip shit up." More like..."this is
> probably the last
>>> time I'm gonna fuck you up the ass, not sure if I can come,
> anyway, just
>>> thought I'd share...FYI. Now breathe out and clench."
>>>
>>> Yeah no worries, thanks for the newsflash, it's certainly gonna be
> the
>>> last time you get any money from me (I bought 2 tix), and a lot of
>>> others
>>> in the crowd like me who have seen better, more considerate bands try
> to
>>> disguise a phone-in, or dredge up enough energy from the crowd to find
>>> some reason to enjoy being there.
>>>
>>> No encore despite most of the crowd giving it heaps for 10 mins,
> futiley
>>> as the stage was dismantled immediately the black-clad phoners in
> left.
>>>
>>> That was the more objective impression. This is what part of me really
>>> thinks:
>>>
>>> Go home and polish your Grammys and play Hurt to yourself on your
> synth
>>> you never-really-has-been. There's a reason I wasn't into NIN
> and I'm
>>> glad
>>> I had my suspicions confirmed. 80% of their songs sound the same. Sub
>>> par
>>> lyrics, predictable anthems for 14-year old sexually ambivalent teens
> to
>>> half-heartedly self-harm to in the privacy of their bedrooms in
> between
>>> Evanescence CDs.
>>>
>>> Note to self: Don't ever bend over backwards trying to like
> something
>>> you
>>> don't.
>>>
>>> > Jane's Addiction, reunited with original bass player Eric
> Avery has
>>> been
>>> > doing a few low key warm-up bar and club shows in LA the past few
>>> months
>>> > before they go out on tour with Nine Inch Nails in late Spring. I
>>> caught
>>> > last night's show at the Echoplex club which was their third
>>> appearance
>>> > together since all four members began working together again.
>>> >
>>> > It turned out to be an excellent if short show, mostly better
> than the
>>> > tiny
>>> > El Cid bar show #2 which I caught last December. Only things I
> think
>>> El
>>> > Cid
>>> > was marginally better was being a tiny club, much more intense
> energy
>>> from
>>> > the crowd that show. I think Perry sounded better there as well.
>>> >
>>> > It had been raining really hard much of the day in Southern
> California
>>> and
>>> > I
>>> > was really on the fence about going or not right up to about 6pm.
> I
>>> went
>>> > for it and got to the Echoplex (in Echo Park) around 8:15 and a
> huge
>>> line
>>> > of 200 - 300 people was winding along the building and it quickly
>>> because
>>> > obvious some people didn't have or even know about the RSVP
> thing.
>>> Light
>>> > rain had just stopped and it was cool but at least dry. The line
>>> started
>>> > moving as they left small groups of about 10 - 15 people in at a
> time
>>> to
>>> > get
>>> > their ID checked for a wristband, then get their ID checked
> against a
>>> list
>>> > at the door from the website registration rsvps. Saw a couple
> people
>>> > turned
>>> > away in front of me but later saw them inside so its possible
> they had
>>> > enough room for people who basically walked up to see the show
> after
>>> the
>>> > majority of RSVP'ers got in. Considering my own feelings this
> method
>>> of
>>> > getting people in the show could have turned into a real mess, it
>>> seems
>>> > like
>>> > it turned out to be well run with few problems.
>>> >
>>> > My first time at Echoplex. Kind of a weird room, the mixing desk
> kinda
>>> > bisects the club in half so if your in the back, you gotta stand
> on
>>> some
>>> > boxes to get a decent view. Pretty laid back, almost too mellow
> of a
>>> > crowd
>>> > especially for the opening band "Dot," which was kind
> of a more
>>> ambient,
>>> > dissonant noise version of Secret Machines. Band shows some
> promise,
>>> but
>>> > the singer was hardly audible, partly because he rarely projected
>>> himself
>>> > but moreso because the vocals were mixed way too far down (same
> for
>>> Perry
>>> > during Jane's set). They got a decent response from the
> crowd, more
>>> > respect
>>> > than actual adoration. Frankly, I thought they were boring.
>>> >
>>> > There was a long wait, made somewhat manageable by the selections
>>> whoever
>>> > was DJ'ing played a good amount of Killing Joke
> ("Change"), Bauhaus,
>>> > Cramps
>>> > ("New Kind Of Kick" got a huge response), Bowie and a
> few other favs
>>> on
>>> > the
>>> > PA.
>>> >
>>> > About 11:15, Jane's strolled on the stage and ground into Up
> The
>>> Beach. I
>>> > think it was played half a step down and a bit slower. Eric had
> more
>>> room
>>> > to
>>> > prowl and stomp tonight so he'd either be doing his tribal
> stomp to
>>> songs
>>> > like Mountain Song or Ocean Size or locked into his zone often
> staring
>>> up
>>> > at
>>> > the ceiling playing Pigs in Zen. Tonight, Dave was more on the
> mark
>>> most
>>> > of
>>> > the show that the 2nd show, Perkins was simply 100% a precision
> human
>>> > piledriver. The man is simply an incredible drummer. Perry
>>> unfortunately
>>> > I
>>> > have to say was the weak link. Not a lot of power in his voice,
> didn't
>>> > really make a lot of use of his little echo toolbox and took a
> lot
>>> longer
>>> > than the rest of the band to loosen up as the set progressed. I
> will
>>> say
>>> > when they got to Been Caught Stealing, he was up with the rest of
> the
>>> band
>>> > and loosened up enough to bullshit and introduce most of the
> remaining
>>> > songs.
>>> >
>>> > I do think in a lot of ways this reunion, especially how Perry
> carries
>>> > himself these days reminds me of the recent David Lee Roth/Van
> Halen
>>> > reunion
>>> > in the way both frontmen have dropped the more manic, physical
> aspect
>>> of
>>> > their stage persona due to age and are more like Vegas car
> dealers
>>> doing
>>> > their shtick for the rubes. At times, Perry was genuinely funny
> but
>>> when
>>> > he
>>> > used forced, awkward analogies to introduce each of the last few
>>> songs, it
>>> > got hackneyed.
>>> >
>>> > Most of the songs from a performance standpoint sounded
> excellent.
>>> > Mountain
>>> > Song is played by Dave a bit differently now, a bit more RAWK!
> like
>>> > someone
>>> > like Billy Duffy would play the tune. The band was very tight
> with one
>>> > major
>>> > exception. The only song I thought kinda missed the mark was the
> one I
>>> was
>>> > most excited to hear, Ted, which lacked an "edge"
> it's had in the past
>>> and
>>> > never really got out of third gear and came close to falling
> apart the
>>> > last
>>> > couple minutes as the band kind of careened a bit out of time
> with
>>> each
>>> > other.
>>> >
>>> > But I'll tell you what, "Stop" was fucking perfect.
> Clearly the best
>>> > performed song of the set and got great audience participation.
> "Had a
>>> > Dad"
>>> > and "Ocean Size" ended the 2 song encore and the short
> barely hour
>>> long
>>> > set
>>> > was done.
>>> >
>>> >>From a crowd standpoint, the asshole factor was low but there
> were a
>>> few
>>> > lobcocks who'd careen around like big, sweaty, smelly
> dreidels. One
>>> > grinning drunk slob who looked like Seth Rogan got hoisted up for
> some
>>> > crowd
>>> > surfing and got maybe 5 feet before being dumped on the ground
> like a
>>> sack
>>> > of shit. He later wound up getting on the stage on Erics side and
> then
>>> > flopped off the stage like a beached whale.
>>> >
>>> > All n' all though, a great night even if it was too short and
> I
>>> *really*
>>> > wanted to hear "Three Days."
>>> >
>>> > Setlist:
>>> >
>>> > Up The Beach
>>> > Trip Away (on the setlist but not played)
>>> > Whores
>>> > 1%
>>> > Ain't No Right
>>> > Mountain Song
>>> > Been Caught Stealing
>>> > Ted Just Admit It.
>>> > Stop!
>>> > (encore)
>>> > Had a Dad
>>> > Ocean Size
>>> >
>>> > T.B.
>>> >
>>> > _______________________________________________
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>>> >
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