[kj] "Absolute Dissent": The Loudness Wars firedances

[fluw]

Firedances suffers in the production department but geordie's guitar never
sounded better than during firedances.

 

Also "let's all go" was one tune on the record that was produced very well
imo, their best produced track in the entire catalog. Unfortunately the
producer john porter only produced that one tune for the band.

   

  _____  

From: gathering-bounces at misera.net [mailto:gathering-bounces at misera.net] On
Behalf Of folk devil
Sent: Wednesday, October 27, 2010 12:46 PM
To: gathering at misera.net
Subject: Re: [kj] "Absolute Dissent": The Loudness Wars

 

Hosannas - abomination
Extremities - abomination
Fire Dances - abomination
 
My biggest gripe with KJ production is the bass treatment.
 
I'll give AD a 7 or 8 out of 10.
 
However, I typically hate really squeaky clean production. Nor do I like
'mastering' that is effectively tubing the whole thing to constant loudness.
 Rough edges are nice. 
 

  _____  

Date: Wed, 27 Oct 2010 13:18:30 -0400
From: vassifer at earthlink.net
To: gathering at misera.net; gathering at misera.net
Subject: Re: [kj] "Absolute Dissent": The Loudness Wars

"the production is an abomination."
These fools obviously never listened to HOSANNAS.
Alex in NYC





-----Original Message----- 
From: Rheinhold Squeegee 
Sent: Oct 27, 2010 1:14 PM 
To: Gathering Gathering 
Subject: [kj] "Absolute Dissent": The Loudness Wars 

Not interested in starting a flamewar here since the answer is pretty
subjective, but I've been seeing a lot of comments from YouTube, Amazon etc.
where a few very indignant individuals insist that while "AD" may be decent,
the production is an abomination. 
 
Most interestingly, they cite KJ (1980) as an example of "good" KJ
production when, to me, it sounds like it was recorded in a fish tank down
the hall. I have also seen "HFTBOH" cited as well-produced, when it's
obvious (again, to me) that they just drove the needles into the red and
left them there. Very one-note with no subtlety at all.
 
I get the whole "Loudness Wars" thing, but that's a mastering, rather than
production, issue, isn't it? CDs have a set peak and you can only give the
perception of exceeding that peak through signal compression.
 
I'll be the first to admit that I'm deaf as a post, but this album "sounds"
as good as any I've heard. I have been able to pick out levels of nuance in
songs like "Ghosts of Ladbroke Grove" that I had never experienced with
another KJ disc. I have listened to it loud in the car, at normal room
volume, and with headphones. 
 
I have always appreciated the "chaos" of their sound and I would never want
to experience KJ with the type of clinical separation that I hear in the
(limited) amount of modern metal I've actually listened to. I like the fact
that they sound like they're in the process of falling off a cliff. KJ
(1980) wouldn't have the same resonance if it had been produced under better
circumstances.
 
Is there anyone on this list with expertise in recording and production who
can comment?  Can someone who thinks "AD" sounds bad reccommend a similar
disc that they think sounds "good"? What KJ albums are well-produced?
 
Discuss.
 
 
 


_______________________________________________ Gathering mailing list
Gathering at misera.net http://four.pairlist.net/mailman/listinfo/gathering 

-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://four.pairlist.net/pipermail/gathering/attachments/20101027/aa7714a5/attachment.html>